automatisms

WHITE PATINA

                    CONFRONTATION                                                         WAIT   

HONOR MENTION BIENNIAL OF VALENCIA

30 x 37 x 21 cms.     11.8 x 14.5 x 8.2  in                   21 x 12 x 15 cms.    8.2 x 4.7 x  5.9  in    

                             1-5   2017                                                           1-5    2018   

 

                       FORGOTTEN                                                                ONIRIC   

12 x 36 x 8 cms.     4.7 x 14.1 x 3.1   in                 19 x 11 x14 cms.  7.5 x 4.3 x 5.5   in 

                          1-5   2018                                                                1- 5   2019    

 

                    PASSIONAL                                                               REFUGE   

38 x 29 x 23 cms.   14.9 x 11.4 x 9 in                 28 x 25 x 27 cms.  11 x 9.8 x 10.6 in 

                          1-3   2019                                                              1-5    2017    

 

                     RESILIENCE                                                         SYNCHRONY   

  25 x 27 x 17 cms.   9.8 x10.6 x 6.7 in              28 x 24 x 29 cms.   11 x 9.4 x 11.4 in

                        1-5   2019                                                               1-5    2019    

 

                              FLIGHT           

42 x 42 x 22 cms.   16.5  x 16.5  x  8.6 in

                            1-5   2019   

 

 

MORE PATINAS 

BROWN SAND

GREEN 

GREEN  &  BROWN

" ONIRIC "   GOLD PLATED BRONZE        SPECIAL EDITION

" ONIRIC "  DARK TURQUOISE

THE AVAILABILITY OF THE PIECES AND THE DIFFERENT PATINAS DEPENDS ON THE NUMBERING OF THE SERIES ( I /V )

ALL THE PIECES ARE PRESENTED ON A BLACK IRON BASE 5CM ( 1.96 IN ) HIGH

 

 AUTOMATISMS & METROPOLIS    

 

My work questions the social identity of the individual and the masses in a given context using the human scale as a unit of measurement.


In sculpture I construct visually clean geometries that intertwine in subtle ways, while in painting I develop sequences of thick fillings to generate saturated atmospheres.


In both languages ​​my work is an abstraction of the individual and the urban landscape from the depersonalization within and outside of their context.


 My work is based on concepts of architectural composition that allow me to create models from two different perspectives.


In painting, the pointillism technique is integrated with the use of texture as the main element and in sculpture it is through light and the absence of detail that is evoked to minimalism.


Each work creates a reflection about the human condition that exists in large cities, as complex systems that transgress us to the point of immersing ourselves in a routine that makes us forget who we are as individuals.