Artist Statement 

For over twenty-five years, I have developed an artistic practice that spans painting, sculpture, and, more recently, textiles. My first fifteen years were a search for a visual language, and over the last decade, I have built a body of work grounded in geometry, architectural structures, and fractured textures.

In painting, I explore layers that peel away like traces of time. In sculpture, I work with light and geometry as essential forms. In textiles, I have discovered a medium where tension and emptiness allow me to create immersive spaces. Though distinct, these disciplines are interconnected, reflecting my duality: the rational and the emotional, the intimate and the collective.

Architecture has profoundly shaped my practice. Today, I return to it from a sensory and poetic perspective, weaving materials and concepts to create what I call “emotional architectures”—suspended, inhabitable spaces that evoke resilience, transformation, and the human condition.

By integrating techniques and materials, my work becomes both autobiographical and cartographic: a way to translate the places I live and work into an abstract map of my own transformations.